I first read Northcoast Shakedown by my friend Jim Winter, back in 2005, when it was first released in print by a small press. It’s a fast-paced, engaging story with a quirky main character who’s so real, it’s hard to believe he’s fictional. Upon the re-read, my original opinion stands: P.I. Nick Kepler’s a piece of work (in a good way!) and never fails to entertain.
The majority of my reading consists of romance, suspense, fantasy and science fiction; preferably a combination of two or more of these. However, it’s good to take a departure from the usual every now and then and try something different. For me, the occasional “different” is usually a cozy mystery or straight fantasy, or perhaps something more mainstream. Occasionally, I pick up something more straight-suspense, usually upon the recommendation of a friend, or in this case, something written by a friend.
Northcoast Shakedown is crime fiction, a P.I. story with a bit of noir that doesn’t cross the line into too dark and dreary. Main character Nick Kepler is a P.I. with the perfect, cushy gig of tracking down workers’ comp fraud and the occasional cheating spouse. When the book opens, he’s investigating just that, plus a questionnable life insurance claim that’s more a matter of saving an underwriter’s job than saving the company money. But the more he digs in, the more questionable the life insurance claim appears, and not for the reasons the company thinks. Before Nick knows it, he’s in over his head in a world of swingers’ clubs, political cover-ups, and murder, and finds himself next on a killer’s hit list.
What made this book really enjoyable was Keper himself. He’s a very relatable character, a regular guy who just wants to get his job done and kick back with a beer and watch baseball afterward. His quirky dislike of SUVs and ability to be distracted by an attractive female are among the little details that make him real and fun. He has certain principles that he refuses to compromise, and others that aren’t so rigid, and reading him wrestling with these choices is what really made me want to root for him, especially when he deals with the aftermath of a choice between shitty and shittier. While totally a man’s-man, his emotions are 100% real and believable, and Winter didn’t pull any punches getting them on the page.
I had a few nits with the book, although they may be more genre conventions than anything else. One thing I’ve noticed is that mystery writers sometimes spend a lot of words getting a character from one place to another, nothing street names, traffic patterns, and scenery along the way. For the most part, that stuff works in Northcoast Shakedown, as Nick’s often being tailed (or fears he is). I’ve read other books where the driving becomes a travelogue (and a place to skim).
Another genre thing is the need for suspects and red herrings in a mystery often results in a large cast of characters. Northcoast Shakedown is no exception. However, there are so many minor/extra characters in this book, I found it hard to keep track of them. In this case, I’m not talking about the long list of persons of interest – the book does very well there. But Kepler is a former cop, and has associates in several different departments in addition to other government types and colleages/customers at the insurance company – enough that they eventually ran together in my mind.
Finally, I’ve talked about dated books before here. In his author’s note, Winter mentions that the book was written in 2002. There’s definitely the occasional reference to outdated technology (Windows 2000? Firewire?). Kepler also doesn’t appear to have a smartphone, GPS, or even an MP3 player – and while I can see Kepler as a guy who refuses to use a smartphone, I can’t imagine him not owning an mp3 player these days (or at least using his computer as a stereo while he works). Knowing that the book was written ten years ago, I could deal, but stuff like this did momentarily take me out of the story. Still, these things are minor, and Northcoast Shakedown was as enjoyable a read now as it was when initially published. So if you’re looking for an entertaining, fast-paced suspense, check out Northcoast Shakedown at Amazon or Barnes & Noble.
Do you stick to mostly one genre when you read fiction? If so, do you occasionally step outside? Do you notice things that you think are probably genre conventions, but clash with what you’re used to?
Back in May, you released your first indie title, a short story called “A Walk in the Rain” (also a good read). What made you decide to go indie?